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Murray Hill Classes NYC, New York
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Portrait Drawing (3 sessions) with Edmond Rochat
Drawing New York @ 114 East 35th Street, New York, NY
Portrait Drawing (3 sessions) with Artist Edmond Rochat - Mondays, April 17th, 24th and May 1st, - 6:30 -9:30pm all sessions. Students will improve in three main areas of portrait drawing in this course: proportion/gesture, perspective and lighting form. Each session starts with a demonstration by the instructor clearly showing what students will achieve during the session. Drawing from a live portrait model, students receive individual...
History of the Modern Interior
New York School of Interior Design @ 401 Park Ave S, New York, NY
History of the Modern Interior The Most Iconic Homes of the 20th C This course examines the history of the modern domestic interior, while focusing on the most iconic homes of the 20th century. It illuminates the architects, patrons, and their relationships; discussing identities, history, historiography, and the stories behind the scenes, which made these interiors into myths. It seeks to educate interior designers and architects in the history...
Introduction to Zines in the Hudson Valley
Penumbra Foundation @ 36 E 30th St, New York, NY
Unleash your creativity and tell your own story through the power of zine-making. Discover the historical and theoretical aspects of zine culture in this approachable workshop at Penumbra Foundation. Learn the basics of creating your tangible self-published works and explore the expressive possibilities of this unique art form.
Sat, Jun 22nd, 10am–6pm EDT
(16 hours over 2 sessions)
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Hannah Arendt: The Human Condition
Brooklyn Institute for Social Research @ 275 Madison Ave, New York, NY
What does it mean to be human in the world today? Hannah Arendt’s The Human Condition (1958) is a provocative treatise on what it means to live on earth and share the world in common. Her study, originally intended to be titled Amor Mundi (Love of the World), investigates the central activities of human life—labor, work, action—and their corresponding realms—private, social, public. For Arendt, The Human Condition is about protecting spaces...
Digital Painting
Ashcan Studio of Art @ 45 E 34th St, New York, NY
Course Description The Digital Art Curriculum provides the fundamental knowledge and skills for learning how to paint digitally using Adobe Photoshop. You will learn about lines, layer, digital portrait making, still life, volume, environmental painting, perspective, light and shadow. Curriculum The Digital Drawing and Painting program is a foundation program for students who are newly introduced to digital tablets and Adobe programs. Student...
Phlebotomy & EKG for Health Professionals
Borough of Manhattan Community College @ 462 1st Avenue, New York, NY
Enhance your healthcare career with hands-on training in EKGs and Phlebotomy at Borough of Manhattan Community College. Elevate your skills under the guidance of medical professionals and gain a competitive edge in the healthcare field.
Portfolio and Process: Strengthening the Message
Penumbra Foundation @ 36 E 30th St, New York, NY
This workshop is about strengthening the important connection between method and expression. The goal is to lay the groundwork for a thoughtful body of work rendered by fine printing. We will do this through portfolio reviews, discussions from the close-looking of prints, and a review of each participant's skills. Participants will leave the first part of the session with concrete strategies for refining their portfolios or body of work. The second...
Albumen & Salt
Penumbra Foundation @ 36 E 30th St, New York, NY
Attendees have the opportunity to advance their skill set in the albumen and/or salt printing process alongside Morgan Post. Post will provide insight as to how you can best utilize the medium, obtain consistency and develop a print statement. All attendee’s will have ample opportunity to make beautiful, portfolio ready prints, have group critiques and further develop a personal vision.
16"x20" Mammoth Plate
Penumbra Foundation @ 36 E 30th St, New York, NY
This course is strictly a shooting session and does not teach the wet plate process. A previous wet plate course is required. Eric & Geoffrey will work with students to create 16x20" wet plate images using the best practices of pouring large plates and assist students through the technical process. We will provide two camera and lighting set-ups, that students will share, and chemistry. Mammoth plates will be available for purchase for...
A Collaborative Photobook Workshop
Penumbra Foundation @ 36 E 30th St, New York, NY
In 1974 Daido Moriyama famously produced a photo-book interactively in a gallery – asking visitors to select images, sequence them, and staple them together, into what would become the now highly collectible volume Another Country in New York. Image Threads is excited to offer a new generative photobook workshop, loosely inspired by the spirit of this now classic bookmaking performance, but at the same time expanding further upon its process....
Blue at the Horizon: Cyanotypes
Penumbra Foundation @ 36 E 30th St, New York, NY
"The world is blue at its edges and in its depths. This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the...
Intro to Wet Plate with Lisa Elmaleh
Penumbra Foundation @ 36 E 30th St, New York, NY
Wet plate collodion was the leading method of photography during the 1850’s and 1860’s. The wet plate process is most commonly known in its three forms – tintypes (positives on tin), ambrotypes (positives on glass), and glass negatives (negatives on glass). In this workshop, Lisa will teach students how to create glass negatives, tintypes and ambrotypes in camera. Wet plate is known for its unique characteristics, archival nature,...
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Photogenic Drawings and Digital Negatives
Penumbra Foundation @ 36 E 30th St, New York, NY
As one of the earliest experimental photographic processes these prints are preserved, but not fixed, and gradually change over time. Yet if protected from light, their sky-blue, yellow, rose, brown, and black colors can last at least two hundred years. Originally heralded in 1839 by Talbot as a magic spell, a marvelous way to fix shadows, they are steeped in the poetic language of photography’s invention. During the workshop, we will consider...
Intro to Risograph for Photography
Penumbra Foundation @ 36 E 30th St, New York, NY
The risograph process is often described as a hybrid between screen printing and a copy machine. It has gained popularity in recent years, due to its suitability for the production of small edition prints, posters, books, and zines; as well as its unique materiality. This hands-on workshop will introduce students to the fundamentals of the risograph printing process, and then offer guided exploration of reproducing students’ own work using the...
Fashion Photography for Cyanotype
Penumbra Foundation @ 36 E 30th St, New York, NY
Experience fashion photography in a new way by combining 19th century photographic processes with modern concepts to create unique prints. This workshop guides beginner students through the process of creating one to two fashion photographs using the cyanotype process. Through in-class discussion, visual slides, and hands-on learning, students will learn to actualize concepts, create digital negatives, and make cyanotype prints. Students...
8 Weeks of Albumen
Penumbra Foundation @ 36 E 30th St, New York, NY
In 1850, Frenchman Louis-Desiré Blanquart-Evrard invented the albumen print. This process involves coating a sheet of paper in a solution of egg and salt. Next, silver nitrate is applied to the paper thereby making the material light sensitive. The sheet of paper is then exposed to UV light where the image prints out. Once exposed, the print is then processed and toned to the artist's liking with gold and/or platinum. It is then fixed, rinsed and...
Creating Narrative Through Still Life Photography
Penumbra Foundation @ 36 E 30th St, New York, NY
Still life, a venerable genre, activates the meaning of objects in order to reflect - or to comment on - our shared world. This class guides beginning and advanced students through the foundations of this fascinating practice. Through demonstrations, critique and hands-on practice, students will explore still life methodologies - both historical and contemporary - that they can use to apply to their own future experiments. By the end of the workshop,...
The Personal Vernacular
Penumbra Foundation @ 36 E 30th St, New York, NY
This class is for photographers seeking self-exploration in connection to narratives of family. In this 4 session workshop, each artist will identify poignant connections between their personal work and their archival family photographs, translating personal histories across generations of image-makers. Students will learn how to re-photograph existing vernacular source material, including family photo albums, snapshots, film stills, and narrative...
Inkjet Printing on Alternative Materials
Penumbra Foundation @ 36 E 30th St, New York, NY
If you are interested in alternative photo processes, you should explore the amazing array of materials available for digital printing that offer a new physicality to images. In this two day workshop, students will explore making inkjet prints on various alternative materials including transparency paper, diaphanous silk and delicate Japanese paper. Students will learn how to use a solution called Inkaid to open up the possibility of printing on...
Photographing Time and Place
Penumbra Foundation @ 36 E 30th St, New York, NY
In 1967, the Museum of Modern Art mounted the influential exhibition New Documents, featuring the work of Diane Arbus, Lee Friedlander, and Garry Winogrand. Curator John Szarkowski described the group as “a new generation of photographers” who “directed the documentary approach toward more personal ends. Their aim has not been to reform life, but to know it.” Using the exhibition as a starting point, this course will examine a diverse...
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